The final concert of 2013 on December 7th featured “Music from the New World” as represented in compositions by Kodaly and Dvorak and the recent works of contemporary American composers Adam Silverman and American-Ukrainian Boris Skalsky, performed by violinists Charles Castleman and Yuriy Bekker, violist Daniel Farina, and cellist Amy Sue Barston.

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CHARLES CASTLEMAN, perhaps the world’s most active performer/pedagogue on the violin, has appeared as soloist with the orchestras of Philadelphia, Boston, Brisbane, Chicago, Hong Kong, Moscow, Mexico City, New York, San Francisco, Seoul, and Shanghai. Medalist at the Tchaikovsky and Brussels competitions, his Jongen Concerto is included in a Cypres CD set of the 17 best prize-winning performances of the Brussels Concours’ 50-year history. His solo CDs include Ysaye’s six Solo Sonatas (made at the time of his unique performance at Tully Hall in NYC), eight Hubay Csardases for Violin and Orchestra, and ten Sarasate virtuoso cameos on Music and Arts, Gershwin and Antheil on MusicMasters, and contemporary violin and harpsichord music for Albany. As one of sixteen Ford Foundation Concert Artists, he commissioned the David Amram Concerto, premiering it with Leonard Slatkin and the St. Louis Symphony and recording it for Newport Classic. He is a dedicatee of “Lares Hercii” by Pulitzer winner Christopher Rouse. Mr. Castleman has performed at such international festivals as Marlboro, Grant Park, Newport, Sarasota, AFCM (Australia), Akaroa (New Zealand), Budapest, Fuefukigawa, Montreux, Shanghail, Sheffield, and Vienna Festwoche. He regularly participates in the Park City, Round Top, and Sitka festivals in the U.S. His recitals have been broadcast on NPR, BBC, in Berlin, and in Paris. Mr. Castleman has been Professor of Violin at Eastman School of Music since 1975. He is founder/director of The Castleman Quartet Program, in its 43rd season, now at two locations, at SUNY Fredonia and at the University Colorado Boulder, an intensive workshop in solo and chamber performance, which Yo-Yo Ma has praised as “the best program of its kind… a training ground in lifemanship.”

Yuriy Bekker blog

Violinist YURIY BEKKER has led the Charleston Symphony Orchestra as a concertmaster since 2007 and has been the orchestra’s acting artistic director for the past three seasons. He has also held the position of concertmaster for the Orlando Philharmonic Orchestra and AIMS Festival in Graz, Austria, as well as additional positions with the Houston Symphony and the Houston Grand Opera and Ballet Orchestras. He is an adjunct faculty member of the College of Charleston as conductor of the College of Charleston Orchestra. He has also been artistic advisor to the Piccolo Spoleto Festival for the last three seasons. Mr. Bekker has performed worldwide, including with the Vancouver Symphony, Ulster Orchestra, Chicago Chamber Music Society, European Music Festival Stuttgart, Pacific Music Festival, Spoleto Festival USA, Piccolo Spoleto Festival, Aspen Music Festival, and at the Kennedy Center. He has collaborated with Herbert Greenberg, Claudio Bohorquez, Alexander Kerr, Andrew Armstrong, Robert DeMaine, Sara Chang, Gil Shaham, Joshua Roman, JoAnn Falletta, and Andrew Litton. His 2013-2014 season solo engagements include a performance with the Midland Symphony Orchestra (Michigan) of “Under an Indigo Sky,” a violin concerto written for him by composer Edward Hart. Other performances include conducting the Charleston Symphony Orchestra Pops Series in January 2014 and leading the Charleston Symphony Chamber Orchestra Series.

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Violist DANIELLE FARINA enjoys a varied career as soloist, chamber musician, orchestral musician, teacher, and recording artist in both the classical and pop genres. As a soloist, she recently recorded Jon Bauman’s Viola concerto with the Moravian Philharmonic, Andy Teirstein’s Viola Concerto with the Kyiv Philharmonic, and premiered Peter Schickele’s Viola Concerto with the Pasadena Symphony. As a member of the Lark Quartet, she toured extensively in North America, Europe, and Scandinavia, performing at some of the most prestigious venues and festivals, including Lincoln Center, Carnegie Hall, Library of Congress, Smithsonian Institute, Schleswig Holstein, and the International Istanbul Music Festival. Currently a member of the Elements Quartet, she participated in the Tibor Varga Festival in Budapest, the Great Lakes Chamber Music Festival in Detroit, was in residence at Utah Valley State College, and premiered “Snapshots,” a project commissioning dozens of composers ranging from Regina Carter to Angelo Badalamenti to John Corigliano and many more. She also performs with a number of ensembles in the New York area, including the Orpheus Chamber Orchestra, the Orchestra of St. Luke’s, Concertante, and American Modern Ensemble (AME), with whom she recorded the music of Robert Paterson, and Music from Copland House, with whom she recorded the music of John Musto. An active teacher, she is on the faculty of Vassar College and the Juilliard School Pre-College Division.

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Cellist AMY SUE BARSTON has performed as a soloist and chamber musician on stages throughout the world, including Carnegie Hall, Ravinia, Caramoor, Bargemusic, Haan Hall (Jerusalem), the Banff Centre (Canada), International Musicians Seminar (England), Power House (Australia), and Chicago’s Symphony Center. At seventeen she appeared as soloist with the Chicago Symphony on live television, won the Grand Prize in the Society of American Musicians’ Competition, and First Place and the Audience Prize in the Fischoff International Chamber Music competition. Since then, she has performed as soloist with the Chicago Symphony, Chicago Chamber Orchestra, Prometheus Chamber Orchestra, Rockford Symphony, and the University of Michigan Symphony Orchestra, among many others. This past season, she gave thirty solo recitals and master classes, spanning from New York to New Zealand. She is artistic director of the Canandaigua Lake Music Festival in New York and the cellist of the Corigliano Quartet, which was hailed by Strad Magazine as having “abundant commitment and mastery,” and whose recent Naxos CD was named one of the top two recordings of the year by both The New Yorker and Gramophone Magazine. She also performs regularly in duos, trios, and quartets with the world’s most celebrated fiddler, Mark O’Connor, and with Trio Vela, a piano trio in residence at Bargemusic. She has performed sonatas and chamber music with many of the world’s leading musicians, including Leon Fleisher, Jon Kimura Parker, Arnold Steinhardt, Bernard Greenhouse, and Ani Kavafian. A devoted teacher, some of her students commute from as far away as Alaska and Japan.

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“Music at the Institute” was sponsored by the Ukrainian Institute of America, 2 East 79th Street, New York, NY

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